Get Africa and the Blues PDF

By Gerhard Kubik

ISBN-10: 1578061466

ISBN-13: 9781578061464

In 1969 Gerhard Kubik chanced to come across a Mozambican exertions migrant, a miner in Transvaal, South Africa, tapping a cipendani, a mouth-resonated musical bow. A similar software was once noticeable within the fingers of a white Appalachian musician who claimed it as a part of his personal cultural historical past. via connections like those Kubik discovered that the hyperlink among those far-flung musicians is African-American tune, the sound that turned the blues.

Such discoveries show a story of song evolution for Kubik, a cultural anthropologist and ethnomusicologist. touring in Africa, Brazil, Venezuela, and the U.S., he spent 40 years within the box amassing the cloth for Africa and the Blues. during this e-book, Kubik relentlessly strains the distant genealogies of African cultural song via eighteen African countries, specially within the Western and important Sudanic Belt.

Included is a entire map of this cradle of the blues, in addition to 31 pictures collected in his fieldwork. the writer additionally provides transparent musical notations and outlines of either African and African American traditions and practices and calls into query the numerous assumptions approximately which components of the blues have been "European" in beginning and approximately which got here from Africa. specified to this e-book is Kubik's perception into the methods present-day African musicians have followed and enlivened the blues with their very own traditions.

With scholarly care yet with an ease for the overall reader, Kubik proposes a completely new thought on blue notes and their origins. Tracing what musical features got here from Africa and what mutations and mergers happened within the Americas, he exhibits that the African American culture we name the blues is actually a musical phenomenon belonging to the African cultural world.

Gerhard Kubik is a professor within the division of ethnology and African stories on the collage of Mainz, Germany. on the grounds that 1983 he has been affiliated with the guts for Social learn of Malawi, Zomba. he's an everlasting member of the guts for Black song learn in Chicago and an Honorary Fellow of the Royal Anthropological Institute of significant Britain and eire, London.

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In the third verse, Louie the King advises Mack the Finger how and where to dispose of a pile of junk; in the fourth, a woman complains to her father that her complexion is too white, and he tells her how she can fix the problem, and in the fifth, a bored gambler is looking for a suitable venue for the Third World War. Highway 61 is the answer to all of their questions. ” Maybe he did, maybe he didn’t, although certainly by the time you get this far south, things have changed beyond all recognition, and even God would have a hard time getting anything done.

But the next, he could be silent, patiently waiting at the end of your life to convey you to the realm of the dead. In bed he is neither man nor woman, unless he wants to be either or both, BAYOU UNDERGROUND and in mixed company, he is the joker that you cannot shut up, rapid-firing off-color comments to whoever he knows will be most discomforted by them. None of which explains why he’s sitting across the table from us, doubtless wondering how the immortal personification of resurrection and sex ever came to be sharing a drink with two road-worn travelers, when he could be.

And then the boy vanished off the face of the earth — and when he came back, he was the greatest bluesman of all. The most legendary, too — a consequence of a short life, a shattering ability, and the sheer immediacy of the legends that have grown up around him. He sold his soul to the devil, they say, and the devil always takes what is his. Except it wasn’t the devil. It was Samedi who put Robert Johnson on the stage. Before they met, after all, Johnson was just a jobbing bluesman, no better or worse than any of his rivals.

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Africa and the Blues by Gerhard Kubik

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