American Empire and the Arsenal of Entertainment: Soft Power by Eric M. Fattor (auth.) PDF

By Eric M. Fattor (auth.)

ISBN-10: 1137382236

ISBN-13: 9781137382238

ISBN-10: 1137387262

ISBN-13: 9781137387264

Movies, tv, and American tradition permeates even the main distant reaches of the globe in unheard of degrees. What have an effect on does the unfold of the yankee zeitgeist have on worldwide perceptions of the U.S.? This ebook analyzes the advanced position leisure performs in overseas coverage - weighing its merits and setbacks to nationwide pursuits abroad.

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Extra resources for American Empire and the Arsenal of Entertainment: Soft Power and Cultural Weaponization

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28 Some British activists, such as the Reverend Edward Bickersteth, even allowed themselves to imagine the kind of heroic reputation Great Britain was making for itself among the African populations who were suffering under slavery: “The name Englishman is already, through the African continent, becoming a simple passport of safety. 30 Indeed, the effort to destroy slavery meant having to maintain a presence in West African colonies that many were eager to ignore or get rid of entirely. As Ronald Robinson and John Gallagher suggest, many British ruling elites found the possession of African colonies “miserable enough.

As people gathered under the high roof of the Crystal Palace, the material abundance on display sent a message not just of British ingenuity, but also of British superiority. Local fairs and exhibitions were a common sight in the growing towns of Great Britain prior to 1846. Though popular as an attraction for local townspeople, the true intention of these exhibitions was to recruit apprentices and raise funds for still fledgling industries. 34 With the national economy completing a transition from agricultural production to industrial production, however, proponents of free trade and industrialization began demanding more national perspectives on industrial education and the cultivation of artistic taste among the aggregate population.

24 After 1832, however, more squadrons combined with other nations embracing the cause of slave trade interdiction meant Britain’s humanitarian efforts were starting to bear fruit. Between 1835 and 1842, the number of slaves exported to Cuba and Brazil, the primary destination for slave ships, dropped significantly. 25 As these interdiction events transpired, resulting in the spectacular capture of slaving vessels and their human cargo, abolitionist and missionary journals back in Great Britain enthusiastically updated the fight of antislavery beyond the home shores to its readers.

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American Empire and the Arsenal of Entertainment: Soft Power and Cultural Weaponization by Eric M. Fattor (auth.)


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